You Can Call Him "Al" From Your Couch

It's time to go back. Waaaaay back, to the dawn of music! Or, at least to one of the major highlights of Paul Simon's career.

Paul Simon's Graceland concert revisited

If you appreciate music and culture, this might be interesting.

PBS's Great Performances: Paul Simon's Graceland follows Simon as he returns to South Africa and reconnects with performers he collaborated with decades earlier for his album, Graceland. It features new and archival performances and shows interviews not only from Simon but also from Johnny Clegg, Paul McCartney and David Byrne.

Paul Simon's Graceland concert revisitedA little background

After listening to and falling in love with music from South African performers like Johnny Clegg and Siphu Mchunu, Simon set out for South Africa to work with performers from the area. The album Graceland was the result. It featured a strange and beautiful mix of pop and rock alongside African genres and singing styles, isacathamiya and mbaqanga. The music may have been amazing, but there was one small problem.

Digging deeper

When Paul Simon released Graceland in 1986, it was done under a heaping amount of controversy. That's because 1986 was the year South Africa's apartheid regime began to fall apart. "Apartheid" is the Afrikaans word for "the status of being apart." In other words, South Africa was going through the same kind of racial segregation America had experienced decades earlier.

Nelson Mandela at his birthday celebration

A little hard to believe, right? But the difference in wealth between a white South African family and a black South African family often looked like the difference between Donald Trump and an average,  middle-class American family. There was also fighting between various "tribes" within the South African state. Simply put, South Africa was going through a rocky time and it stayed that way until Nelson Mandela was elected President of the country. (For a better understanding, check out the book and/or movie, The Bang Bang Club.)

During apartheid, countries around the world participated in an economic and cultural embargo against South Africa. People stayed away. They didn't want to help or be part of the scene until the country got its act together. Simon defied those standards and it made for a rather controversial album.

The result

Despite the controversy, Graceland sold 14 million copies and won Grammys for "Album of the Year" and "Song of the Year." Simon's willingness to go where no one else was willing to clearly paid off and that's why Great Performances is revisiting the experience.

Tune in (or set your DVRs) to your local PBS channel on Friday at 9 p.m. for Great Performances: Paul Simon's Graceland.

Images courtesy of WENN

More from PBS

Austin City Limits' awesome 38th season line-up
Muppet lovers are going to Washington
PBS is especially excited about the Emmys this year


Recommended for you


Comments on "PBS presents: Great Performances: Paul Simon 's Graceland"

nancy jvm January 05, 2013 | 6:11 PM

Thanks, PBS -- what an enjoyable evening revisiting Simon and Graceland and historic times. Lived in Africa, (West) and music is high life, yet amazed by Simon's lyrics to this beautiful haunting music of South Africa. I believe at my age that music connect and sustains the journey -- kudos!

Melba Ward January 05, 2013 | 5:02 PM

I too watched this special on pbs. it was one of the moving performances I have ever seen. I was brought to tears at times.

Melba Ward January 05, 2013 | 4:59 PM

I too watched this special on one. it was one of the moving performances I have ever seen. I was brought to tears at times.

Dan Fishel January 05, 2013 | 1:56 PM

I watched this on the early performance and was so impressed I stayed up and watched it again from 3:30 to 5:30 a.m. and never grew sleepy. What an inspirational show. I could relate because I took basic training in the army in 1959 in South Carolina and went to a segregated rock concert one Saturday night. I knew immediately what Paul Simon was talking about music being the international language. I was a northern white at a segregated Bo Diddley concert in South Carolina, but the white kids went to the show and were really enjoying it from their segregated seats in the balcony, while the negroes were down below, since it was a "colored" concernt. Despite what the government had to say about segregation back then, they couldn't segregate music; it's the international language. It speaks to everyone.

+ Add Comment

(required - not published)